| 传统坐唱平弦曲牌分析与研究——赋子 |
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| 引用本文： | 李华.传统坐唱平弦曲牌分析与研究——赋子[J].青海师范大学学报(哲学社会科学版),2010,35(4):84-86. |
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| 作者姓名： | 李华 |
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| 作者单位： | 青海师范大学,音乐系,青海,西宁,810008 |
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| 摘 要： | 赋子是流传于青海农业区民间曲艺坐唱平弦的主要曲牌之一,经过长期发展、演变,已逐步形成相对稳定的多种音乐形态,它独特的音乐旋法与文学词章巧妙的结合,充分展示了青海地方民间曲艺特有的风格,也是民间艺人音乐创作思维的集中体现。为此,本文就赋子的音乐形态、风格与特点进行进一步分析与研究。
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| 关 键 词： | 赋子 曲牌 音乐形态 |
Analysis and Research on Fuzi-Traditional Ping-xian Melody |
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| LI Hua.Analysis and Research on Fuzi-Traditional Ping-xian Melody[J].Journal of Qinghai Normal University(Philosophy and Social Sciences Edition),2010,35(4):84-86. |
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| Authors: | LI Hua |
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| Institution: | LI Hua (Music Department,Qinghai Normal University,Xining 810008,China) |
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| Abstract: | Fuzi is one of Ping-xian melodies of folk music.It originated and spread in the agricultural areas of Qinghai province.Through the long-term development and evolution,it gradually forms a variety of relative stable musical modalities.It fully displays the distinctive Qinghai style of local folk music with the combination of its unique melody and the literary flavor.It is also the concentrated expression of the folk artists＇ composing concept.This article fatherly explored and analyzed the musical modality,style and features of Fuzi. |
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| Keywords: | Fuzi musical melody musical modality |
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