| 苏轼山水艺术美学的哲学基础与主要范畴 |
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| 引用本文： | 雷礼锡.苏轼山水艺术美学的哲学基础与主要范畴[J].韩山师范学院学报,2011,32(1):33-37. |
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| 作者姓名： | 雷礼锡 |
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| 作者单位： | 襄樊学院美术学院,湖北襄樊,441053 |
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| 基金项目： | 湖北省教育厅人文社科重点项目《中国传统山水艺术美学精神研究》,项目编号:2010d078 |
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| 摘 要： | 苏轼在山水艺术创作基础上形成了自己独特的山水艺术美学思想.在他看来,水是天下至信之物,具有至真、至形、至善的特点,是"不变性"与"可变性"的统一.以此为基础,各种山水景物既体现出"漠然无形"的特征,也体现为有机的整体形象,并蕴含无限的内在意味.山水艺术作品就是要通过"平淡至味"的艺术意象来体现水之至信的本性和山水漠然无...
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| 关 键 词： | 苏轼 山水艺术 艺术美学 |
Philosophical Foundation and Primary Categories of Su Shi's Artistic Aesthetics |
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| Lei Li-xi.Philosophical Foundation and Primary Categories of Su Shi's Artistic Aesthetics[J].Journal of Hanshan Teachers College,2011,32(1):33-37. |
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| Authors: | Lei Li-xi |
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| Institution: | Lei Li-xi(School of Fine Arts,Xiangfan University,Xiangfan,Hubei 441053) |
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| Abstract: | Su Shi finds his unique aesthetics of shanshui art in the creation of shanshui arts.In his view,water is the most reliable thing in the whole world,which is the truest,the most beautiful and the most virtuous,which is the unity of invariability and variability.On this basis,the varied mountain and water sceneries not on-ly are the intangible and integrated forms,but also a whole organic image,which contains the inner infinite meanings.Through the most plain and flavourous image,Shanshui artworks are to refl... |
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| Keywords: | Su Shi shanshui art artistic aesthetics |
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