| 论表现性在写生中的意义 |
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| 引用本文： | 张文菊,张志辉.论表现性在写生中的意义[J].衡水学院学报,2011,13(3):66-68. |
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| 作者姓名： | 张文菊 张志辉 |
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| 作者单位： | 1. 运城学院,美术与工艺设计系,山西,运城,044000
2. 衡水学院,美术学院,河北,衡水,053000 |
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| 基金项目： | 衡水学院科研项目资助课题(2010051) |
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| 摘 要： | 写生是传统的绘画方式,随着当代艺术形式和手段的多元化,写生仍具有不可替代的地位。作者在写生时都应该清楚是自己主宰作品,而不是由写生对象来控制。作者要在写生中关注内心,追求表现,发挥对写生对象的感受力,运用符号性的画面语言,直接探讨如何运用绘画语言表现内心,从而扩展了写生的功能,使写生作品具有表现性和更强的生命力。
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| 关 键 词： | 写生 表现性 感受力 |
The Significance of Expression in Sketching |
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| ZHANG Wen-ju,ZHANG Zhi-hui.The Significance of Expression in Sketching[J].Journal of Hengshui University,2011,13(3):66-68. |
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| Authors: | ZHANG Wen-ju ZHANG Zhi-hui |
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| Institution: | ZHANG Wen-ju1,ZHANG Zhi-hui2 (1. Department of Art and Crafts Design,Yuncheng University,Yuncheng,Shanxi 044000,China,2. College of Arts,Hengshui University,Hengshui,Hebei 053000,China) |
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| Abstract: | In the diversifying of contemporary art forms and means, sketching, as a traditional way of painting, still has its irreplaceable position. In sketching, painters should make clear that they control their works, focusing their inner feelings, pursuing expressive methods, meanwhile, expressing feelings to the sketching objects, using symbolic artistic languages and probing into how to express their inner feelings through picture languages. In this way they expand sketching function and make their sketching w... |
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| Keywords: | sketching expression feeling |
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