| 踵屈骚之体,彰民族之魂——论《梅赋》的抒情主人公形象 |
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| 引用本文： | 吴福秀.踵屈骚之体,彰民族之魂——论《梅赋》的抒情主人公形象[J].临沂师范学院学报,2011,33(1):113-116. |
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| 作者姓名： | 吴福秀 |
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| 作者单位： | 湖北师范学院文学院,湖北,黄石,435002 |
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| 摘 要： | 自古以来,以梅写意者层出不穷,然屈骚之下,以梅入骚者并不多见。今骚体长诗《梅赋》以骚之体式写梅之气韵,深得《楚辞》神韵。全诗诗中有画,画中有诗,诗画合一,诗境阔而意绪悠长,格调迂徐而不乏昂扬之态,深追屈骚之体,是当代寂寞骚坛上的一朵奇葩。《梅赋》中的抒情主人公是一个救世、醒世、敢为天下先,奋发向上而又饱含爱国热忱的有志之士形象,同时也是新时代千千万万生生不息、奋斗不止的爱国劳动者形象,具有深刻的时代内涵和现实意义。
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| 关 键 词： | 骚体诗 《梅赋》 抒情主人公 时代内涵 |
Following Qu SAO and Spreading National Spirit of China:On the Lyric Image of MeiFu |
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| WU Fu-xiu.Following Qu SAO and Spreading National Spirit of China:On the Lyric Image of MeiFu[J].Journal of Linyi Teachers' College,2011,33(1):113-116. |
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| Authors: | WU Fu-xiu |
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| Institution: | WU Fu-xiu(School of Chinese Language & Literature,Hubei Normal College,Huangshi HuBei 435002,China) |
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| Abstract: | Since ancient times,the authors describing the plum blossom emerge endlessly.However,there are less people putting the plum blossom into SaoTi Poetry.The SaoTi poem MeiFu comes after Quyuan and reveals the national spirit of China by writing plum blossoms,puts the poetry and painting as a whole.It's an outstanding work in the contemporary SaoTi Poetry.The lyric image in MeiFu is a salvation first.He saves and wakes up the world bravely and is full of patriotism.It is also the image of struggling laborers in... |
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| Keywords: | SaoTi Poetry MeiFu lyric image era connotation |
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