| 浅溯审美意境的道家渊源 |
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| 引用本文： | 姜丹.浅溯审美意境的道家渊源[J].昆明师范高等专科学校学报,2003,25(2):65-68. |
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| 作者姓名： | 姜丹 |
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| 作者单位： | 昆明师范高等专科学校，昆明650031 |
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| 摘 要： | “意境”是中国传统美学发展的一条主要线索，追溯意境理论发生的渊源，对于深入地领悟意境的美学内涵和体味中国艺术的风骨与精髓，有着非常重要的价值。无论是探索意境构成的内在机理——境一境中之意一境外之意，还是考量意境所要达到的最终目的——表现作为宇宙的本体和生命的道。其中的根源都可以追溯到老庄哲学、美学的根本原则“道”的上面。自然无为的“道”是意境的生存之本和终极目的。
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| 关 键 词： | 意境 道 境 境中之意 境外之意 |
| 文章编号： | 1008-7958(2003)02-0065-04 |
| 修稿时间： | 2003年3月2日 |
About Yijing (Artistic Conception)'s Origin in Taoism |
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| JIANG Dan.About Yijing (Artistic Conception)''s Origin in Taoism[J].Journal of Kunming Teachers College,2003,25(2):65-68. |
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| Authors: | JIANG Dan |
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| Abstract: | Yijing(Artistic Conception) is one of the major clues of traditional Chinese esthetics. It is significant to explore the origin of Yijing, which may greatly promote the apperception of artistic tradition of China and help to understand the connotation of Yijing. Whatever study, the internal structure of Yijing(Scenery, Feelings Introjecting into Scenery, and Consciousness of Noumenon Acquired beyond Scenery) or the ultimate goal (incarnating the noumenon of the universe and life)achieved through Yijing, the origin can be traced back to Tao, the fundamental principle of Taoism and its esthetics. Tao is the not only the root but the ultimate goal of Yijing. |
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| Keywords: | Yijing(Artistic Conception) Tao Scenery Feelings Introjecting into Scenery Consciousness of Noumenon Acquired beyond Scenery |
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