| 胡适与西方戏剧(1910-1917) |
| |
| 引用本文： | 庄浩然.胡适与西方戏剧(1910-1917)[J].福建师范大学学报(哲学社会科学版),2002(3):82-89. |
| |
| 作者姓名： | 庄浩然 |
| |
| 作者单位： | 福建师范大学文学院,福建福州,350007 |
| |
| 摘 要： | 在清末民初引进域外戏剧的潮流中，胡适是继王国维，齐如山而卢的又一前驱，他注重西方戏剧名著的解读与舞台艺术的观摩，力求为新剧提供可资借鉴的“范本”。然而，这位最早解读，评价莎士比亚戏剧原蓍前驱，到上世纪末仍被摒于中国莎学殿堂之外，他于民初对西方社会问题剧的研治，现代主义戏剧的接纳，也长期落在研究研究者的视域之外，示涌获得应有的历史评价，本文意在探讨胡适留美期间对于西方古典和近现代戏剧的选择，汲取，及其在推动中国戏剧理论批评从古代向现代转型中的地位，作用。
|
| 关 键 词： | 胡适 西方戏剧 比较戏剧 |
| 文章编号： | 1000-5285(2002)03-0082-08 |
Hu Shi and Western Dramas (1910-1917) |
| |
| ZHUANG Hao,ran.Hu Shi and Western Dramas (1910-1917)[J].Journal of Fujian Normal University(Philosophy and Social Sciences Edtion),2002(3):82-89. |
| |
| Authors: | ZHUANG Hao ran |
| |
| Abstract: | In the last years of Qing Dynasty, Hu Shi appeared as another forerunner besides Wang Guo-wei and Qi Ru-shan in the trend of introducing foreign dramas into China. He attached importance to the interpretation of the famous works in western dramas and the observation of the stagecraft, so as to find the model for China's new dramas. However, this precursor was excluded from China's Shakespeare studies up till the end of last century though he was the first to persue and comment on the original works of Shakespeare in China. His studies of the western social dramas and acceptance of the idea of modernist dramas just after the founding of the Republic of China have neither been given due attention to for a long time or any positive historical appraisal deserved. This essay aims at looking into the fact that Hu Shi chose among and learnt from western classical and modern dramas when he studied in US and into his historical status and his contributions to the changes from classical period to modern period in Chinese theoretical criticism of dramas. |
| |
| Keywords: | Hu Shi western dramas comparison in dramas |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
