| 论乐器演奏中视奏与背奏的技巧训练 |
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| 引用本文： | 丁运东.论乐器演奏中视奏与背奏的技巧训练[J].徐州教育学院学报,2006,21(2):98-99. |
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| 作者姓名： | 丁运东 |
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| 作者单位： | 徐州高等幼儿师范学校 江苏徐州221009 |
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| 摘 要： | 视奏与背奏均为乐器演奏中的重要基本功,视奏能力越强,大脑存谱就越多,演奏动作就越熟练。背奏能力越强,乐曲的积累就越多,演奏时的音乐表达能力就越强,就能使演奏者的表演进入优美的音乐艺术境界。
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| 关 键 词： | 视奏 背奏 记忆 听觉 视觉 |
| 文章编号： | 1008-6625(2006)02-0098-02 |
| 收稿时间： | 05 11 2006 12:00AM |
| 修稿时间： | 2006年5月11日 |
On Training of Sight-Instrument Play and Non-Sight-Instrument Play |
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| DING Yun-dong.On Training of Sight-Instrument Play and Non-Sight-Instrument Play[J].Journal of Xuzhou Education College,2006,21(2):98-99. |
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| Authors: | DING Yun-dong |
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| Institution: | Xuzhou Advanced Kindergarten Teachers College Music Group, Xuzhou Jiangsu 221009 |
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| Abstract: | Sight-play and non-sight play are basic skills of instrument play.Stronger at sight-play,more music stored in the mind,more skillfully could a performer play.Stronger as non-sight play,more music stored in the mind,a higher expresive ability could a performer possesses,and more easily could he or she enters a higher music art state. |
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| Keywords: | sight play non-sight play memory sense of listening sense of sight action association |
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