| 自由的心态与纯正的趣味--论李健吾的文学批评 |
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| 引用本文： | 叶君.自由的心态与纯正的趣味--论李健吾的文学批评[J].长治学院学报,2003,20(3):34-37. |
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| 作者姓名： | 叶君 |
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| 作者单位： | 华中师范大学文学院,湖北武汉,430079 |
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| 摘 要： | 在中国20世纪文学理论批评史上,李健吾的文学批评呈现出鲜明而独特的个性,迥异于"自发的批评"和"职业的批评".文章通过对李健吾文学批评的总体考察,从中把握出其独特性,源于他在从事批评时的自由心态与纯正的艺术趣味.在文学批评面临着困境的今天,重新观照李健吾的文学批评,无疑对于当下文学批评理论的建构、理性批评氛围的形成以及批评言说方式的丰富,具有多层面的借鉴意义.
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| 关 键 词： | 李健吾 文学批评 自由的心态 纯正的趣味 |
| 文章编号： | 1009-0266(2003)03-0034-04 |
| 修稿时间： | 2002年12月10 |
The free mood and pure taste |
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| YE Jun.The free mood and pure taste[J].Journal of Changzhi University,2003,20(3):34-37. |
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| Authors: | YE Jun |
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| Abstract: | In the history of literary criticism in the 20 century,Li Jianwu's way of literary criticism is different from "spontaneous criticism"and"profes sional criticism".This essay states that Li's special feature comes from his fr ee mood and pure taste through the author's observation of Li's most articles.No wadays,the literary criticism faces to many difficulties,so rereading Li's artic les of literary criticism is meaningful to rebuild the structure of criticism th eory,to form the mood of reasoning criticism and to multiple the ways of critici sm. |
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| Keywords: | Li Jianwu Literary criticism free mood pure taste |
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