| 坚冰下的暗流:《水浒传》女性意识的觉醒 |
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| 引用本文： | 柏俊才.坚冰下的暗流:《水浒传》女性意识的觉醒[J].山西师大学报,2007,34(3):68-71. |
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| 作者姓名： | 柏俊才 |
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| 作者单位： | 华中师范大学文学院 武汉 |
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| 摘 要： | 《水浒传》塑造了七十多位女性人物形象。与那些侠肝义胆的男性人物相比,这些女性人物黯然失色。这一现象引起了历来研究者的兴趣,他们纷纷撰写文章讨论之,故见诸于报刊的论文多矣。综观这些成果,大家的思路基本一致,即认为《水浒传》的作者是蔑视、轻视女性的,从而将《水浒传》看作是一个反女性的典型文本。如果我们放眼于男性掌握话语权的中国古代文学,就会发现《水浒传》从一个侧面反映了女性意识的觉醒。《水浒传》中的女性多为“红颜祸水”,男性英雄不近女色,以及男性对女性的大肆杀戮,都体现出男性是社会的主宰。然而女性对人性、对爱情的追求和家庭地位的提高,犹如坚冰下的潺潺流水,昭示着其自身主体性的觉醒。
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| 关 键 词： | 水浒传 男权 厌女 女性 觉醒 |
| 文章编号： | 1001-5957(2007)03-0068-04 |
| 修稿时间： | 2006-12-10 |
Running Water Under Solid Ice: the Awakening of Female Consciousness in the Water Margin |
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| BAI Jun-cai.Running Water Under Solid Ice: the Awakening of Female Consciousness in the Water Margin[J].Journal of Shanxi Teachers University,2007,34(3):68-71. |
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| Authors: | BAI Jun-cai |
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| Institution: | School of Chinese Language and Literature, Central China Normal University, Wuhan, Hubei 430079, China |
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| Abstract: | The Water Margin has portrayed more than seventy female images. Compared with chivalrous males, these females are eclipsed. This arouses many scholars'interest and they have written papers discussing this issue. The majority of these scholars hold that the author of the Water Margin looked down upon females. As a result, they regard the novel as a typical anti - female discourse. Keeping Chinese ancient literature in view, we may find that the Water Margin reflects the preliminary awakening of females'conscious-ness. Most females in Water Margin are very beautiful, they are, however, banes. Male heroes did not like females and they even slaughtered them. All these show that males were dominant in society. Nevertheless, females'pursuits of humanity, love and promotion of their status in family suggest their awakening of their consciousness as dominant part of the society, which is like running water solid ice. |
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| Keywords: | the Water Margin masculinism misogyny female awakening |
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