| 南宋词论“求雅”审美取向的异同 |
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| 引用本文： | 曹琳.南宋词论“求雅”审美取向的异同[J].哈尔滨学院学报,2013,34(8):58-62. |
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| 作者姓名： | 曹琳 |
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| 作者单位： | 宁夏大学人文学院,宁夏回族自治区银川,750002 |
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| 摘 要： | 针对南宋词坛大力提倡复雅的词论,王灼与沈义父也都在各自的词论中提出了求雅的审美标准,标举出各自的审美取向：《碧鸡漫志》将以苏门为首的豪放词派追求情性、自然作为自己的审美创作追求,而《乐府指迷》则是以清真词为首的婉约词派含蓄柔婉作为其审美标准。
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| 关 键 词： | 《碧鸡漫志》 《乐府指迷》 雅正 审美取向 |
The Aesthetic Orientation of "Pursuing Elegance" in South Song Poems:Difference and Similarity |
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| CAO Lin.The Aesthetic Orientation of "Pursuing Elegance" in South Song Poems:Difference and Similarity[J].Journal of Harbin University,2013,34(8):58-62. |
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| Authors: | CAO Lin |
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| Institution: | CAO Lin ( Ningxia University, Yinchuan 750002, China) |
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| Abstract: | The South Song poems pursue elegance. WANG Zhuo and SHENG Yifu pro-posed the aesthetic standard of elegance expressing their own aesthetic orientation respectively. ＂Bi Ji Man Zhi＂ takes the bold and unconstrained characters, represented by SU Dongpo, as their goal,while ＂Yuefu Zhi Mi＂ takes constrained and melancholy the characteristics. |
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| Keywords: | ＂Bi Ji Man Zhi＂ ＂ Yuefu Zhi Mi＂ elegant and right the aesthetic orientation |
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