| 悲哀的叹美者--庐隐--试析庐隐小说的悲剧意蕴 |
| |
| 引用本文： | 孙培云.悲哀的叹美者--庐隐--试析庐隐小说的悲剧意蕴[J].黄河科技大学学报,2004,6(1):131-135. |
| |
| 作者姓名： | 孙培云 |
| |
| 作者单位： | 郑州大学,文化与传播学院,河南,郑州,450052 |
| |
| 摘 要： | 在“五四”女作家群中。庐隐无疑是最具感伤色彩的一位。个人遭际的不幸和社会现实的苦难。作为女性自身体验到的来自男权社会的方方面面的对女性自由精神的压制与束缚。以及在艺术实践中逐渐形成的“看取悲哀”的审美取向。使庐隐的作品中充溢着浓重的感伤情调。成为“五四”时期的“伤痕学”。
|
| 关 键 词： | 庐隐 悲剧意蕴 感伤情调 |
| 文章编号： | 1008-5424(2004)01-0131-05 |
| 修稿时间： | 2003年9月20日 |
A Grievous Beauty Chanter-Lu Yin--Trial analysis the tragic content in the stories written by Lu Yin |
| |
| SUN Pei-yun.A Grievous Beauty Chanter-Lu Yin--Trial analysis the tragic content in the stories written by Lu Yin[J].Journal of Huanghe S&T University,2004,6(1):131-135. |
| |
| Authors: | SUN Pei-yun |
| |
| Abstract: | Among the women writer group in the period of 'The May 4th Movement in 1919',no doubt Lu Yin was one of those who had much grievous color. As a woman, because she had experienced personal misfortune, bitter social facts and various spiritual fetters and pressure by man's power, .the "grievous aesthetic trend" gradually formed in her art practice, which resulted in her works being full of dense sentimental emotion and becoming into "scar literature" after the period of "The May 4th Movement". |
| |
| Keywords: | Lu Yin tragic content sentimental emotion |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
