| 论20世纪中国油画艺术中的农民形象 |
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| 引用本文： | 刘梦梅.论20世纪中国油画艺术中的农民形象[J].商丘职业技术学院学报,2005,4(1):64-66. |
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| 作者姓名： | 刘梦梅 |
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| 作者单位： | 河南大学,艺术学院,河南,开封,475001 |
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| 摘 要： | 从审美的角度而言，中国“二十世纪特殊的政治、历史背景下”油画艺术中农民形象的发展，大致经历了战争时期、新中国时期、改革开放时期三个阶段。由于每个历史时期的社会、艺术背景不同、创作主体的审美追求不同、采用的表现方法不同，农民的形象因而呈现出了不同的面貌与特点，经过战争时期革命现实主义和新中国时期现实主义、浪漫主义与社会、政治有关的发展，在改革开放的新时期逐渐步入了农民形象的多样化发展的新时期，并承载了多样化的文化与艺术意义。
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| 关 键 词： | 农民形象 改革开放时期 创作主体 战争时期 审美追求 浪漫主义 现实主义 政治 多样化发展 艺术 |
| 文章编号： | 1671-8127(2005)01-0064-03 |
| 修稿时间： | 2004年11月6日 |
Talking about the Peasant's Image in Chinese Oilpainting in the 20th Century |
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| LIU Meng-mei.Talking about the Peasant''''s Image in Chinese Oilpainting in the 20th Century[J].Journal of Shangqiu Vocational and Technical College,2005,4(1):64-66. |
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| Authors: | LIU Meng-mei |
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| Abstract: | As regards aesthetic angle,the development of peasant's image in art of the oil painting under the special political,historical background of the 20th century of China,have roughly gone through wartime,new China in period,reform and opening-up for three stages of period. Because each historical period social,artistic background different,create subject aesthetic to pursue different,technique of expression that adopt different,therefore peasants' image demonstrates different appearance and characteristic,it is passing history in wartime,under the revolutionary realism and socialist realism,period of new China,under the romanticism after the development related to society,politics,stepped into the diversified new periods for development of peasant' s image gradually in the new period for reform and opening-up,and has born the weight of diversified culture and artistic meaning. |
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| Keywords: | the Chinese oilpainting artist peasant's image diversification cultural meaning |
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