| 文学体制与当代作家的思想改造 |
| |
| 引用本文： | 王本朝.文学体制与当代作家的思想改造[J].涪陵师范学院学报,2006,22(2):1-5. |
| |
| 作者姓名： | 王本朝 |
| |
| 作者单位： | 西南大学文学院 重庆400715 |
| |
| 摘 要： | 20世纪40、50年代是中国文学的转折时代,从文学观念到文学形式都发生了巨大的变化,其中文学体制的改变与建立是中国文学能成为“当代”的重要标志。它有效地实现了当代社会与文学的互动,促使文学作家、作品和读者发生了相应的变化。本文就当代文学体制之下作家的思想改造问题展开讨论,说明文学体制与作家身份之间所发生的同一性与差异性矛盾,促使作家形成新型的主体认知与行为方式,从而制约着中国当代文学的生产方式。
|
| 关 键 词： | 文学体制 当代文学 作家身份 |
| 文章编号： | 1672-366X（2006）02-0001-05 |
| 收稿时间： | 2005-11-23 |
| 修稿时间： | 2005年11月23 |
Literature System and the Transformation of Contemporary Writers |
| |
| WANG Ben-chao.Literature System and the Transformation of Contemporary Writers[J].JOurnal of Fuling Teachers College,2006,22(2):1-5. |
| |
| Authors: | WANG Ben-chao |
| |
| Abstract: | The period from 1940s to 1950s was the turning era when both literary conception and literary forms were transformed greatly.The transformation and establishment of literary system marked the contemporariness of Chinese literature.It brought the interaction between modern society and literature and caused the corresponding changes among writers writings and readers.This paper deals with the issue about the mental transformation of writers in contemporary literary system and comes to the conclusion that there exists the contradiction of oneness and otherness between literary system and writers which has impelled writers to form new subject cognition and behavioral mode and restricted the production mode of contemporary Chinese literature. |
| |
| Keywords: | literary system modern literature the identity of writers |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
