| 《九歌·山鬼》和东夷文化之关系 |
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| 引用本文： | 陈碧仙.《九歌·山鬼》和东夷文化之关系[J].福建教育学院学报,2003,4(4):40-42. |
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| 作者姓名： | 陈碧仙 |
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| 作者单位： | 福建教育学院中文系,福建,福州,350001 |
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| 摘 要： | 先秦时期鬼与神的概念比较确定 ,鬼专指死者的灵魂 ,而鬼的归宿地因部落不同而不同。东夷族认为人死之后鬼魂归山 ,变为山鬼。沅水流域的居民具有东夷族血统 ,那里形成的山鬼形象 ,是为山中女鬼 ,是融入楚文化中的东夷文化基因。《山鬼》正体现了这种观念 ,反映了当地人民的爱情生活。
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| 关 键 词： | 山鬼 东夷文化 |
The Relationship between Jiuge Shangui and Dongyi Culture |
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| CHEN Bi-xian.The Relationship between Jiuge Shangui and Dongyi Culture[J].Journal of Fujian Education Institute,2003,4(4):40-42. |
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| Authors: | CHEN Bi-xian |
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| Abstract: | In Pre-Qin Period, the idea of ghost was explicitly defined as the soul of the dead, with its final place to settle being decided according to the tribal culture which the dead belongs to. The tribe of Dongyi believed that mountains are the final place for a dead person's soul to settle down. As descendents of the Dongyi tribe, residents living in the Shi River Valley had traditionally held the belief of female mountain ghosts, which later became an essential part of the Chu Culture. The poem Shangui by Qu yuan, a famous poet in ancient China, well illustrates the belief by depicting the life of a maiden's ghost in the mountain. |
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| Keywords: | Shangui Dongyi Culture |
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