| 黄安伦《序曲与舞曲I》“指-腕-肩-腕-指”的演奏处理 |
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| 引用本文： | 吴滢.黄安伦《序曲与舞曲I》“指-腕-肩-腕-指”的演奏处理[J].科教文汇,2013(28):140-141,150. |
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| 作者姓名： | 吴滢 |
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| 作者单位： | 华南师范大学音乐学院 广东广州 510006 |
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| 摘 要： | 钢琴曲《序曲与舞曲》是黄安伦中期创作的代表性作品。笔者通过研究演奏中对“指-腕-肩-腕-指”的转换，探索对该作品音乐结构的宏观控制，以及更好地把握黄安伦钢琴作品的风格和特点。
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| 关 键 词： | 触键 持续音 音色 力度 |
On the Performance Technique of "Fingers -Wrists -Shoulders-Wrists-Fingers" in Anlun Huang's "Prelude and Dance I" |
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| Authors: | Wu Ying |
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| Abstract: | The piano composition,＂Prelude and Dance＂, is a rep-resentative work made by Anlun Huang in his mid-term. By studying the conversion of using ＂fingers-wrists-shoul-ders-wrists-fingers＂in the composition, the writer intends to ex-plore how to macrocontrol the structure of this work and how to seize the style and trait of Anlun Huang＇s piano composition bet-ter. |
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| Keywords: | contact key sustained tone timbre strength |
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