| 论中国山水画的阳刚之美 |
| |
| 引用本文： | 李爽.论中国山水画的阳刚之美[J].内江师范学院学报,2009,24(1):121-123. |
| |
| 作者姓名： | 李爽 |
| |
| 作者单位： | 四川师范大学,文学院,成都,610068 |
| |
| 摘 要： | 中国古典山水画中所体现的阳刚之美与阴柔之美贯穿着整个中国山水画史。阳刚之美在中国文化与自然山水中都有非常明显的体现，这对中国山水画有着深刻的影响。中国山水画的阳刚之美给人以雄强奋进、积极向上的艺术享受，是我们自强不息、不畏强暴的民族精神的象征。
|
| 关 键 词： | 中国山水画 阳刚之美 民族精神 |
On Masculine Beauty of the Chinese Landscape Painting |
| |
| LI Shuang.On Masculine Beauty of the Chinese Landscape Painting[J].Journal of Neijiang Teachers College,2009,24(1):121-123. |
| |
| Authors: | LI Shuang |
| |
| Institution: | School of Literature;Sichuan Normal University;Chengdu;Sichuan 610068;China |
| |
| Abstract: | The masculine and feminine beauty expressed in Chinese classical landscape paintings has been immerged in the whole history of the paintings.The masculine beauty can find its obvious trace in both Chinese culture and nature,which has exerted a great influence on the Chinese landscape paintings.We may sense the spirit of vigorous and positive advance from the masculine beauty which is just the national symbol of constant striving to be stronger and fearlessness against brutality and violence. |
| |
| Keywords: | landscape painting masculine beauty national spirit |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
