| 中国小说批评的“境界说”脞论 |
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| 引用本文： | 贺根民.中国小说批评的“境界说”脞论[J].廊坊师范学院学报,2009,25(1). |
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| 作者姓名： | 贺根民 |
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| 作者单位： | 广西师范学院,文学院,广西,南宁,530001 |
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| 摘 要： | 文学发展的内在规律糅合当下的社会现实,赋予文学批评范畴鲜明的时代印痕.读者的情感机制与小说文本系统相互交织,积攒起小说领域"境界说"新特的批评范式和文学风貌,"现境界"和"他境界"的划分,包孕着小说批评中虚和实、真和幻等范畴的清晰构架,体现了中国近代文论开放和兼容的文学特征.梁启超等人的理论建树,折射出中国古代小说批评近代嬗变的审美趋向.
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| 关 键 词： | 小说观念 审美范畴 境界 他境界 虚实 评价标准 |
On "Theory of Realm" in Chinese Novel Criticism |
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| HE Gen-min.On "Theory of Realm" in Chinese Novel Criticism[J].Journal of Langfang Teachers College,2009,25(1). |
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| Authors: | HE Gen-min |
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| Institution: | School of Humanities;Guangxi teachers college;Nanning Guangxi 530001;China |
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| Abstract: | The inherent law of literature,integrated with the social realities,gives distinctive era mark to literary criticism.The emotional mechanism of readers which intertwines with the novel system has given the "theory of realm" unique and distinctive style.The division of "the real realm" and "the virtual realm" gives birth to a clear structure for aspects of novel criticism such as imagination and reality,truth and fiction,which reflects the open and receptive features of modern literary criticism.Furthermore,... |
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| Keywords: | novel concepts aesthetics category realm virtual realm imagination and reality evaluation criteria |
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