| 论唐代补亡诗 |
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| 引用本文： | 何安平.论唐代补亡诗[J].广东广播电视大学学报,2014(3):63-67. |
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| 作者姓名： | 何安平 |
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| 作者单位： | 兰州大学,甘肃兰州730000 |
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| 摘 要： | 唐代补亡诗可以大致分为两类:第一类为有明确历史记载某些作品曾经存在但现已亡佚,诗人据相关记载所创作的诗,如元结《补乐歌十首》等;第二类为没有记载但诗人认为应该有但已亡佚,为此而创作的,如李贺《还自会稽歌》。两类诗歌相比较,前一类主体为四言,所本主要为《诗经》,明显受到儒家观念的影响,艺术性普遍不高,但自有其认识作用。第二类中亡佚诗的时代距诗人所处时代较近,诗句可五七言自由运用,而且与自己情感有相契合之处,个人特色突出,艺术性明显高于前一类。两类诗都各有其独特的历史意义与价值。
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| 关 键 词： | 唐代 补亡诗 类别 |
The Addendum Poems of Tang Dynasty |
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| HE An-ping.The Addendum Poems of Tang Dynasty[J].Journal of Guangdong Radio & Television University,2014(3):63-67. |
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| Authors: | HE An-ping |
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| Institution: | HE An-ping ( Lanzhou University, Lanzhou, Gansu, China, 730000) |
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| Abstract: | The addendum poems of Tang dynasty can be classified into two categories： the first missed in Tang dynasty in historical documents record was rewritten according to the records; the other not in historical documents but poets thought they were, so they were rewritten. The first belongs to four characters without a fairly high artistic standard; the second＇s standard with their artistic characteristic is obviously higher than the first. |
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| Keywords: | Tang dynasty addendum poems category |
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