| 论影视鉴赏主体的审美心理 |
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| 引用本文： | 沈国芳.论影视鉴赏主体的审美心理[J].南京师范大学文学院学报,2001(3):22-27. |
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| 作者姓名： | 沈国芳 |
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| 作者单位： | 江苏广播电视大学，江苏南京210013 |
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| 摘 要： | 影视艺术必须通过审美主体的观看活动实现艺术的功能。影视艺术的接受活动本质上是审美主体以特殊的心理结构来化解作品意味的过程。在这个过程中，审美主体表现出审美心理需要是：一、求新求异，陌生化审美；二、圆梦替代，情感化审美；三、好奇偷窥，新奇化审美；四、精神提升，人格化审美；五、创造满足，创造化审美。
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| 关 键 词： | 影视鉴赏 主体 审美心理 |
On the Aesthetic Psychology of Movie and TV Appreciation Subject |
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| SHEN Guo-fang.On the Aesthetic Psychology of Movie and TV Appreciation Subject[J].Journal of Chinese Language and Culture School Nanjing Normal University,2001(3):22-27. |
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| Authors: | SHEN Guo-fang |
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| Institution: | Jiangsu Radio and TV University.Nanjing 210013 .Jiangsu |
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| Abstract: | The function of the art of movie and TV are realized by the appreciating activity of the appreciation subject, which in nature is a process of digesting the meaning of the works by the subject with a special psychology. during which the subject reveals his or her aesthetic psycho-logical needs for: (a) the appreciation of the new and strange; (b) the emotional appreciation by oneiromancy and substitution; (c) the novelty appreciation out of curiosity and furtive peep de-sire; (d) the personification appreciation through spiritual promotion; (e) the creative appreciation by means of creation and satisfaction. |
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| Keywords: | Movie and TV appreciation the subject aesthetic psychology needs |
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