| 郑板桥的"写竹三段论"新释 |
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| 引用本文： | 冯舒奕.郑板桥的"写竹三段论"新释[J].江苏广播电视大学学报,2005,16(2):63-65. |
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| 作者姓名： | 冯舒奕 |
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| 作者单位： | 上海外国语大学,上海,200083 |
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| 摘 要： | 郑板桥的“写竹三段论”,即“眼中之竹”——“胸中之竹”——“手中之竹”是一个有“意”参与的“变相”过程。创作在“虚静”的状态中将自然界的竹子纳入眼中,经过“意”的取舍加工,一步步外化为“手中之竹”。而他的“胸无成竹”这个独创性的命题更是他“趣在法外”、突破成规的体现。
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| 关 键 词： | 郑板桥 变相 意 胸无成竹 趣在法外 |
| 文章编号： | 1008-4207(2005)02-0063-03 |
| 修稿时间： | 2005年1月1日 |
New Analysis of "the Three Stages of Artistic Creation"of Zheng Banqiao |
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| FENG Shu-yi.New Analysis of "the Three Stages of Artistic Creation"of Zheng Banqiao[J].Journal of Jiangsu Radio & Television University,2005,16(2):63-65. |
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| Authors: | FENG Shu-yi |
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| Abstract: | When discussing the process of painting bamboos, Zheng Banqiao expounded his theory of "the three stages of artistic creation",that is , "the image in one's eyes"," the image in one's mind" and" the image on the paper". These stages are in a process in which the image is emerging with the interference of consciousness. Each stage differs from others. With a pure and quite mind, the artist observes the bamboo, then turns the image of bamboo in his mind and expresses it on the paper. Besides, Zheng Banqiao's theory of "there is no image in the mind before artistic creation" represents his artistic pursue of casts off rules and reaches the peak. |
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| Keywords: | Zheng Banqiao change of the images consciousness there is no image in the mind before artistic creation cast off rules |
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