| 王家卫电影中的物象及其符码意义 |
| |
| 引用本文： | 许泽平.王家卫电影中的物象及其符码意义[J].四川教育学院学报,2011,27(6):32-35,38. |
| |
| 作者姓名： | 许泽平 |
| |
| 作者单位： | 广西师范学院文学院,南宁,530001 |
| |
| 摘 要： | 王家卫电影中的人物,几乎都生活在一个被各类交通工具、生存空间、生活物资等所包围的物象世界中。物象是王家卫电影最重要的艺术组成部分之一,它们往往成为人物复杂的精神状态和生存境况的隐喻。文章通过对电影中多个重要物象（瀑布、灯塔、树洞、电话等）及其符码意义的分析,揭示出王家卫电影中有关现代人生存困境的诸多主题。
|
| 关 键 词： | 王家卫 电影 物象 符码 意义 |
Images of Wong Kar-wai's Movies and the Symbols' Meaning |
| |
| XU Ze-ping.Images of Wong Kar-wai's Movies and the Symbols' Meaning[J].Journal of Sichuan College of Education,2011,27(6):32-35,38. |
| |
| Authors: | XU Ze-ping |
| |
| Institution: | XU Ze-ping(School of Literature,Guangxi Teachers Education University,Nanning 530001,China) |
| |
| Abstract: | Wong Kar-wai movie characters almost all live in a world surrounded by images that various types of transport,living space and living materials.Images is the most important component of the Wong Kar Wai film art,it often become a metaphor of people's complex mental state and living situation.By a number of important images in the film(waterfalls,lighthouses,tree holes,phone,etc.) and its significance in the analysis of symbol,Wong Kar Wai film reveals many themes about the plight of modern man to survive. |
| |
| Keywords: | Wong Kar-wai's movies images symbol's meaning |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
|
