| 歌剧《原野》之后殖民主义初探 |
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| 引用本文： | 杨嘉悦.歌剧《原野》之后殖民主义初探[J].绵阳师范学院学报,2008,27(7). |
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| 作者姓名： | 杨嘉悦 |
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| 作者单位： | 西北师范大学音乐学院,甘肃兰州,730070 |
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| 摘 要： | 本文立足于后殖民主义文化的研究视野，对创作于上世纪80年代末的中国歌剧《原野》从剧本观念、创作观念等方面进行重新剖析，力图打破以往西方人眼中看中国歌剧——以西洋歌剧为标准的审美价值观。探寻中国歌剧的发展方向。
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| 关 键 词： | 后殖民主义 歌剧《原野》 立足本土 多元共存 |
A Review on Opera "Wilderness" from a Post-colonialism Perspective |
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| YANG Jia-yue.A Review on Opera "Wilderness" from a Post-colonialism Perspective[J].Journal of Mianyang Normal University,2008,27(7). |
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| Authors: | YANG Jia-yue |
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| Abstract: | In this article the author has tried to analyze Chinese opera "Wilderness" from a post-colonialism perspective from such aspects as the theme of the opera and the creation ideas,aiming at seeking a direction for the development of opera creation in China and an aesthetic standard to appreciate localized operas. |
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| Keywords: | post-colonialism Opera "Wilderness" localization multi-dimensional coexistence |
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