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从小说文本中戏曲观演文化看人物“类型”论——以《红楼梦》为例
引用本文:张颖,王潞伟.从小说文本中戏曲观演文化看人物“类型”论——以《红楼梦》为例[J].宁波广播电视大学学报,2014,12(3):121-124.
作者姓名:张颖  王潞伟
作者单位:1. 山西师范大学,太原旅游职业学院,山西临汾041000
2. 山西师范大学,山西临汾,041000
摘    要:鉴于古典戏曲“叙事理论体系”中的人物“类型”论,回归小说文本,换角度对小说人物进行塑造.从小说文本的戏曲观演文化切入,重新审视、体会小说中各异的人物形象.根据演剧活动中受众群体的不同,进而分析曲目、唱腔以及演唱方式的态度差异性,从而呈现出性格、文化修养、精神面貌以及价值追求各异的观众类型.

关 键 词:戏曲  叙事理论  类型  人物论

Review Character Type Theory from the Opera Watching and Performance Culture in Novels
ZHANG Ying,WANG Lu-wei.Review Character Type Theory from the Opera Watching and Performance Culture in Novels[J].Journal of Ningbo Radio & TV University,2014,12(3):121-124.
Authors:ZHANG Ying  WANG Lu-wei
Institution:ZHANG Ying, WANG Lu-wei (1. Shanxi Normal University, Taiyuan Tourism Vocational College, Linfen 041000, Shanxi, China; 2. Shanxi Normal University, Linfen 041000, Shanxi, China)
Abstract:Based on the "type theory" in the classic drama' s "narrative theory system", this paper recreates the characters of the novel from a new perspective according to the novel itself, From the culture of opera watching and performance, the author re-examines and analyzes the variety of the characters in the novels. In order to show the audience groups with different personality, cultivation, mental outlook and value pursuit, the author analyses different tracks, melodies and singing modes.
Keywords:Opera  Narrative theory  Type  Theory of characters
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