| 无法消费的思想——论《无极》的启蒙困境 |
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| 引用本文： | 胡景敏.无法消费的思想——论《无极》的启蒙困境[J].江西教育学院学报,2006,27(5):103-107. |
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| 作者姓名： | 胡景敏 |
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| 作者单位： | 中国社会科学院研究生院,北京,100102 |
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| 摘 要： | 《无极》的遭遇是陈凯歌电影道路的必然发展。坚守启蒙元叙事和电影语言的先锋性是其艺术探索的两极,但是他一直没能很好解决思想启蒙和电影叙事的关系。在消费文化语境中,电影故事性的缺位使思想丧失了可消费性,这是《无极》遭遇尴尬的重要原因。对《无极》的后现代反叛同样存在悖论。
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| 关 键 词： | 《无极》 消费语境 启蒙困境 |
| 文章编号： | 1005-3638（2006）04-0103-05 |
| 收稿时间： | 2006-04-24 |
| 修稿时间： | 2006年4月24日 |
The Thoughts Unable To Be Consumed On The Enlightenment Predicament of The Promise |
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| HU Jing-min.The Thoughts Unable To Be Consumed On The Enlightenment Predicament of The Promise[J].Journal of Jiangxi Institute of Education,2006,27(5):103-107. |
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| Authors: | HU Jing-min |
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| Institution: | Graduate School of Chinese Academy of Social Science, Beijing 100102, China |
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| Abstract: | The bitter experience of The Promise results from the movie road of Chen Kaige.Insisting on the meta-narrative of enlightenment and the pioneer movie artistry made up two aspects of his artistic exploration,but he was always unable to deal with the relationship between thoughts enlightenment and movie narrative effectively.The deficiency of plots made thoughts unable to be consumed,which is the important reason why The Promise is in an awkward position.The post-modernism revolt against The Promise has its paradox too. |
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| Keywords: | The Promise Consumption context Enlightenment predicament |
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