| 论京派纯散文理论的本体性 |
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| 引用本文： | 陈啸.论京派纯散文理论的本体性[J].南通师范学院学报,2009(2):69-76. |
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| 作者姓名： | 陈啸 |
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| 作者单位： | 南通大学文学院,江苏南通226019 |
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| 基金项目： | 教育部人文社会科学研究青年项目（06JC75011-44004） |
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| 摘 要： | 在现代散文理论建设中，京派散文的理论贡献一直未受到重视。其虽属零敲碎打，散漫无章，但却字字珠玑，具有极大的生长性和可阐释空间。京派作家对纯艺术散文创作的自觉与独立、创作原则、以及散文本体性的审美规范、鉴赏批评论等提出了极具价值的观点，超越前贤，烛照当下甚至未来。
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| 关 键 词： | 纯散文 真我 本体性 |
The Main Body of the Theory Beijing-style Pure Prose |
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| CHEN Xiao.The Main Body of the Theory Beijing-style Pure Prose[J].Journal of Nantong Teachers College(Social Science Edition),2009(2):69-76. |
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| Authors: | CHEN Xiao |
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| Institution: | CHEN Xiao (School of Liberal Arts, Nantong University, Nantong 226019, China) |
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| Abstract: | In the modem prose＇s theory construction, the contribution of Beijing-style prose＇s theory has long been kept in the dark. Although it lacks system and purpose, every word of these proses contains profound significance and pro- vokes thoughts and explanations. Writers of Beijing-style prose have contributed valuable experiences to many aspects, such the consciousness and independence of prose composing, the principles of writing, the criterion for the appreciation of the main body and the principles of critics. All these contributions are unprecedented, have a great influence on present prose- composing, and even will influence prose-composing in future. |
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| Keywords: | pure prose true self main body |
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