| 简论西方现代“哲理化”戏剧 |
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| 引用本文： | 杨文华.简论西方现代“哲理化”戏剧[J].山西师大学报,2002,29(1):102-106. |
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| 作者姓名： | 杨文华 |
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| 作者单位： | 山西师范大学中文系 山西临汾041004 |
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| 摘 要： | “哲理化”是西方现代戏剧区别于传统戏剧的重要特征之一。西方戏剧向来排斥哲理，单纯追求一种动情的快感。直至19世纪末20世纪初，才出现了戏剧“哲理化”趋向，开始追求一种思考的乐趣。易卜生的“讨论”式戏剧、布菜希特的“间离”式戏剧、萨特的哲学化戏剧、荒诞派的“直喻”式戏剧作为“哲理化”戏剧的代表，在戏剧哲理化的探索上做出了重大贡献。
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| 关 键 词： | 哲理化 间离效果 直喻手法 易性 布菜希特 萨特 西方现代戏剧 荒诞派 讨论式戏剧 间离式戏剧 哲学化戏剧 |
| 文章编号： | 1001-5957(2002)01-0102-05 |
| 修稿时间： | 2001年9月10日 |
A Brief Commentary On Modern Philosophized Western Dramas |
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| YANG Wen,hua.A Brief Commentary On Modern Philosophized Western Dramas[J].Journal of Shanxi Teachers University,2002,29(1):102-106. |
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| Authors: | YANG Wen hua |
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| Abstract: | Philosophized making is one of the important features that made a distinction between modern western dramas and traditional ones. Western dramas seek purely a kind of emotional pleasure,while repels philosophical ideals. By the end of 19 century and at the beginning of 20 century the writers of the dramas sought a kind of thinking delight, meanwhile the philosophized tendency appeared. The representatives of the philosophized dramas are Henrik Ibsen's "disccussion type";Bertolt Breckt's "unfamiliarized type";Jean Paul's "philosophized dramas" and the absurd school's "simile type".These authors made great contributions to the exploration of the philosophized Western dramas. |
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| Keywords: | philosophized technique of discussion unfamiliar effect simile method |
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