| 大写的"女"字--二十世纪90年代女性文学片论 |
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| 引用本文： | 林晓华,邱艳萍.大写的"女"字--二十世纪90年代女性文学片论[J].楚雄师范学院学报,2004,19(6):56-58. |
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| 作者姓名： | 林晓华 邱艳萍 |
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| 作者单位： | 1. 四川大学文学与新闻学院,四川,成都,610064
2. 西南民族大学文学院,四川,成都,610041 |
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| 摘 要： | 在二十世纪90年代的女性写作中，无论是陈染们的疏离现实图景、沉溺于自我世界，还是卫慧们在开放中对自我欲望的暴露，她们的写作姿态都注重凸现女性性别意识，从而构成了对男性主流社会的背离与颠覆，并深化了文学对人自身的生命意识和生存处境的多向度的关照与表现。
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| 关 键 词： | 90女性文学 性别意识 颠覆 深化 |
| 文章编号： | 1671-7406(2004)02-0056-03 |
| 修稿时间： | 2004年2月22日 |
The Chinese character "Nü"-A preliminary analysis of the women's literature in the 1990s in China |
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| LIN Xiaohua,QIU Yanping.The Chinese character "Nü"-A preliminary analysis of the women''''s literature in the 1990s in China[J].journal of chuxiong normal university,2004,19(6):56-58. |
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| Authors: | LIN Xiaohua QIU Yanping |
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| Institution: | LIN Xiaohua & QIU Yanping |
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| Abstract: | In the women's literature in the 1990, Chinese women writers, such as Chen Ran, who is away from the reality and indulges in a personal world, and Wei Hui who insists on being exposed to the desires, lay emphasison women's awareness of sex and thus formeddivertion from the today's society which is mainly dominated by men. As a result, in their writings, these authors are more concerned with the awareness of life and theenvironment for survival. |
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| Keywords: | women's literature in the 1990s awareness of sex subversion depending |
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