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中国文学中的采莲主题研究
引用本文:俞香顺.中国文学中的采莲主题研究[J].南京师范大学文学院学报,2002(4):7-16.
作者姓名:俞香顺
作者单位:南京师范大学,新闻与传播学院,江苏,南京,210097
基金项目:江苏省哲学社会科学“十五”规划基金项目“中国花卉题材文学与花卉审美文化研究”(J3- 0 4 4)
摘    要:采莲是风靡江南的农事、民俗活动,采莲民歌产生于采莲过程中。南朝中,文人拟作《采莲曲》大量出现,采莲从民歌走向文学,成为当时文学中常见的题材、意象。南朝《采莲曲》最终沦为宫体诗,经过王勃、贺知章、李白等唐代作家的扭转、发展,采莲歌曲恢复民间本色,焕发生机,具有丰富的内涵。采莲也从相对单纯的发展成为具有多重象征的母题。

关 键 词:《采莲曲》  民歌  文学  意象  母题
文章编号:1008-9853(2002)04-07-10

A Study on the Motif of Lotus - gathering in Chinese Literature
Yu Xiangshun.A Study on the Motif of Lotus - gathering in Chinese Literature[J].Journal of Chinese Language and Culture School Nanjing Normal University,2002(4):7-16.
Authors:Yu Xiangshun
Institution:Yu Xiangshun
Abstract:Lotus-gathering is an agricultural and folk activity popular in regions south of the Yangtse River, and folk songs on lotus-gathering come into being in the course of gathering lotus itself. Lotus-gathering Melodies imitated by men of letters sprout up in abundance in the South Dynasty, and lotus-gathering finds its way from folk songs into literature, and become a constant motif and image in literary works of the day. The Melodies of the South Dynasty are eventually reduced to a court style, and only after the remedy and development efforts by such Tang writers as Wang Bo, He Zhizhang, Li Bai, and others are they restored of their folk nature, vitality,and rich connotations. And lotus-gathering has in the meantime developed from a relatively pure image to a multi-symbolic motif.
Keywords:Song of lotus-gathering  folk song  literature  image  motif
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