| 变化出万象--论大后方戏剧的功能选择 |
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| 引用本文： | 李江.变化出万象--论大后方戏剧的功能选择[J].广西师范大学学报(哲学社会科学版),2003,39(2):65-70. |
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| 作者姓名： | 李江 |
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| 作者单位： | 广西师范大学,中文系,广西,桂林,541004 |
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| 摘 要： | 抗战时期大后方戏剧是以宣传、鼓动职能为起点来建构其功能系统的，但并不意味着大后方戏剧只是宣传鼓动的戏剧。在历史过程中，它确立过多方面的功能取向。这是大后方戏剧创作繁荣的一个重要原因。从戏剧交流状况、知识类型、知识的戏剧化方式等方面看，大后方戏剧的功能观念是开放的，并没有自我封闭，也没有一种强化了的戏剧功能取代其他功能，因此对未来的戏剧而言，大后方戏剧留下了值得注意的历史启示。
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| 关 键 词： | 抗日战争 大后方戏剧 功能观念 交流状况 知识类型 |
| 文章编号： | 1001-6597(2003)02-0065-06 |
| 修稿时间： | 2002年10月20 |
CHANGE BRINGS ABOUT NEW LOOK --A Study of Functional Concept on Drama in the Rear Area During the War of Resistance Against Japanese Aggression |
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| LI Jiang.CHANGE BRINGS ABOUT NEW LOOK --A Study of Functional Concept on Drama in the Rear Area During the War of Resistance Against Japanese Aggression[J].Journal of Guangxi Normal University(Philosphy and Social Science Edition),2003,39(2):65-70. |
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| Authors: | LI Jiang |
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| Abstract: | Drama in the rear area during the War of Resistance Against Japanese Aggression took it as its starting point to function as a tool to conduct propaganda and to encourage people. However, it does not mean that it was the only function. Drama was multi-functional, which became an important factor for the booming of dramatic creations in the rear area,. Observed from various angles, the functional concept of drama in the rear area was open, and not restricted nor overwhelmed by others. Therefore, drama in the rear area has left for future drama a historical revelation that deserves attention |
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| Keywords: | War of Resistance Against Japanese Aggression drama in the rear area functional concept exchanges categories of knowledge |
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