| 吟到安时殊细腻,体当拗处更风骚——浅析杜甫诗律求变的创作技法 |
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| 引用本文： | 唐颢宇.吟到安时殊细腻,体当拗处更风骚——浅析杜甫诗律求变的创作技法[J].南京师范大学文学院学报,2013(3):27-30. |
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| 作者姓名： | 唐颢宇 |
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| 作者单位： | 华东师范大学 中文系,上海,200241 |
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| 摘 要： | 文章从结构、对仗、音韵三个方面,对杜甫律诗中的创作技法作了系统分析,突出了杜律稳中求变的创作特点。结构上看,杜甫不仅擅长谋篇布局,而且善于通过倒装以及词语异置的方式来达到语言陌生化的效果;对仗上看,杜诗采用无情对、流水对、扇面对与当句对等多种对仗技法,灵活严整;音韵上看,杜甫对细节讲究活和严,善于在毫微之处精雕细琢。
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| 关 键 词： | 杜律 创作技法 结构 对仗 音韵 |
Analysis on Du Fu's Skill of Style Change and Innovation in His Eight Line Poem Creation |
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| Tang Haoyu.Analysis on Du Fu's Skill of Style Change and Innovation in His Eight Line Poem Creation[J].Journal of Chinese Language and Culture School Nanjing Normal University,2013(3):27-30. |
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| Authors: | Tang Haoyu |
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| Abstract: | This paper systematically analyzes the techniques used by Du Fu in his eight -line poems crea- tion from the aspects of structure, antithesis and rhyme, especially the feature of change and innovating while maintaining stability. In terms of structure, Du Fu is not only good at composing, but also adept in using re- versed and abnormal sentences to create a strange effect. In terms of antithesis, he skillfully uses variety of flexi- ble and unusual couplets ; in terms of rhyme, he is rigid as well as flexible, with careful disposing in details. |
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| Keywords: | Du Fu＇ s eight - line poems technique of creation antithesis rhyme |
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