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Consolidation of paint on stained glass windows: Comparative study and new approaches
Authors:Noemi Carmona  Katrin Wittstadt  Hannelore Rmich
Institution:aFraunhofer-Institut für Silicatforschung (ISC), Bronnbach 28, D-97877 Wertheim-Bronnbach, Germany;bMaterials Physic Department, Complutense University at Madrid, Spain;cConservation Center, Institute of Fine Arts, New York University, USA
Abstract:Stained glass windows belong to the most precious pieces of art in many European countries. Examples of heavily endangered paint on glass are reported in the literature and mainly related to condensation effects and air pollution, as stained glass windows preferably remain in their original architectural surrounding. Several surface coatings and paint treatments have been proposed to consolidate and protect degraded paint. Very often, the selection of the materials is based more on practical aspects than on scientific research. This study concerns the comparison of some traditional, modern and newly developed consolidants for the preservation of historic glass paintings. Experiments have been carried out with model painted glass samples simulating weathering phenomena of originals. Traditional materials like Paraloid B72, modern ones like SZA (proposed by the Fraunhofer-Institut für Silicatforschung, ISC), and three new consolidants prepared by the sol–gel method and based on different hybrid organic–inorganic alkyl-alkoxysilane systems have been considered. The adhesion, penetration, stability, hydrophobicity, mechanical and chemical resistance are properties and requirements tested to prove their effectiveness and range of use. The three new materials developed in this study for the consolidation of paint on glass have the potential to offer alternatives to existing materials. Nevertheless, further research is necessary before their application in restoration workshops can be recommended. A strategic approach is requested to avoid risks for these valuable historical originals and to contribute to the long-term preservation of the paint on stained glass windows in their original sites.
Keywords:Paint  Consolidation  Stained glass window  Sol–  gel technique  Conservation
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