| 刘熙载《艺概》“奇正”论 |
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| 引用本文： | 李国新.刘熙载《艺概》“奇正”论[J].楚雄师范学院学报,2011,26(2):63-67. |
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| 作者姓名： | 李国新 |
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| 作者单位： | 云南大学,云南,昆明,650091 |
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| 摘 要： | 《艺概》是晚清一部重要的文学理论批评著作。刘氏"奇正"理论以"正"为主,以"奇"为辅。"正"强调"尚义故正",具有与"真"和"稳"意义相近的特点。"奇"具有强调"缥缈"和雄放的情感等特点。"稳"与"正"、"奇"与"变"是相似的审美价值范畴。
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| 关 键 词： | 刘熙载 《艺概》 “正” “奇” 审美价值 范畴 |
On 'Novelty and Orthodoxness' in Yi Gai (Fundamentals of Arts) by LIU Xi-zai |
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| LI Guo-xin.On 'Novelty and Orthodoxness' in Yi Gai (Fundamentals of Arts) by LIU Xi-zai[J].journal of chuxiong normal university,2011,26(2):63-67. |
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| Authors: | LI Guo-xin |
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| Institution: | LI Guo-xin(Yunnan University,Kunming 650091,China) |
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| Abstract: | Yi Gai(Fundamentals of Arts) is an important book on literary criticism in late Qing dynasty.LIU Xi-zai Advocated orthodoxness was the core supplemented by novelty in his theory of ’Novelty and Orthodoxness’.’Orthodoxness’ means ’righteousness’ similar to ’truth’ and ’nature’ while ’novelty’ stresses ’vagary’ and ’unconstrained style’.Therefore,the two aesthetic categories,’orthodox’ and ’true’,and ’novelty’ and ’vagary’ are similar. |
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| Keywords: | Yi Gai(Fundamentals of Arts) orthodoxness novelty category |
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