| 物化苍凉--张爱玲意象技巧初探 |
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| 引用本文： | 许子东.物化苍凉--张爱玲意象技巧初探[J].华东师范大学学报(哲学社会科学版),2001,33(5):169-175. |
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| 作者姓名： | 许子东 |
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| 作者单位： | 华东师范大学中文系,上海,200062;香港岭南大学中文系 |
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| 摘 要： | 在张爱玲的笔下,被形容的不论是特殊情景中的风景还是某种抽象的情绪,通常都表现出一种“以实写虚”的倾向,聪明的比喻被发展成了充满暗示的丰富意象,而大量琐碎奇绝杂色质感的物化意象,则成为作家在对于苍凉的感悟中对抗恐惧的一种方法。
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| 关 键 词： | 张爱玲 意象 苍凉美 文学创作 现代文学 |
| 修稿时间： | 2001年7月20日 |
A Tentative Study on Zhang Ailing's Techniques of Imagery |
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| XU Zi - dong.A Tentative Study on Zhang Ailing's Techniques of Imagery[J].Journal of East China Normal University :Philosophy and Social Sciences Edition,2001,33(5):169-175. |
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| Authors: | XU Zi - dong |
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| Institution: | XU Zi - dong |
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| Abstract: | Under the pen of Zhang Ailing, no matter what she described was the scenery in a special situation or a certain abstract feeling, she always displayed a tendency of writing something fictitious by something actual". Those clever metaphors were developed into abundant images full of suggestions, and plentiful trivial and colorful objectified images turned to the writer' s method against fears in her understanding of desolation. |
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| Keywords: | Zhang Ailing image desolation |
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