| 从唐人女侠传奇到21世纪女性武侠 |
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| 引用本文： | 杨萍.从唐人女侠传奇到21世纪女性武侠[J].西南师范大学学报(人文社会科学版),2008,34(4):37-41. |
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| 作者姓名： | 杨萍 |
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| 作者单位： | 重庆科技学院人文系,重庆市401331 |
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| 摘 要： | 唐人女侠传奇中最有光彩的是“历史宏大叙事”，代表作为《虬髯客》、《红线》、《聂隐娘》等，女侠成为作品的第一主人公，女侠形象具有明显的叙事主体性。21世纪大陆新武侠出现了“女性武侠”的新潮流，其庞大的数量和较高的质量，使之已经成为大陆新武侠的重要组成部分。从唐人女侠传奇到21世纪女性武侠，其女性的主体性一脉相承，21世纪女性武侠完全可以从唐人女侠传奇中吸取营养，在继承传统的基础上有所超越。
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| 关 键 词： | 唐人传奇 女侠 大陆新武侠 女性写作 |
From Tang Dynasty Swordswoman Stories to the Swordswoman Stories in the 21st Century |
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| YANG Ping.From Tang Dynasty Swordswoman Stories to the Swordswoman Stories in the 21st Century[J].Journal of Southwest China Normal University(Philosophy & Social Sciences Edition),2008,34(4):37-41. |
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| Authors: | YANG Ping |
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| Institution: | YANG Ping (Department of Humanities, Chongqing University of Science and Technology, Chongqing 401331, China) |
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| Abstract: | The most brilliant thing of Tang Dynasty Swordswoman stories are macro-historical narratives, including The Man with the Curly Beard, Story of Hong Xian, Story of Lie Yinliang, etc, in which the swordswomen become the heroine and the images of the swordswomen are obviously the narrative subjects. Stories of swordswomen rise as a trend of the new swordsman stories in mainland China in the 21st century and have been an integrated part of the new swordsman stories by their tremendous number and fairly good quality. The woman＇s subjectivity of the swordswomen stories written in the 21st century is consistent with that of the Tang Dynasty swordswoman stories. Therefore, the modern swordswoman stories can expect to be greatly benefited by taking roots in the tradition of Tang Dynasty swordswoman stories and exceed the tradition. |
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| Keywords: | Tang Dynasty Stories swordswoman new swordsman stories in mainland China women＇s writing |
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