| 从山意象看毛泽东诗词对传统艺术精神的突破 |
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| 引用本文： | 徐伯鸿.从山意象看毛泽东诗词对传统艺术精神的突破[J].信阳师范学院学报(哲学社会科学版),2006,26(3):98-101. |
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| 作者姓名： | 徐伯鸿 |
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| 作者单位： | 信阳师范学院,文学院,河南,信阳,464000 |
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| 摘 要： | 山是中国古典诗词中最重要的常量意象之一。在古典诗词中,它受传统艺术精神的局限,多呈现“静”的本质属性。毛泽东在诗词创作中突破了这一传统艺术精神的限制,其笔下的山意象不仅充满着奔腾飞跃的“动”的属性,而且更多的是借山来表现人的主体精神。这种突破主要源于他的胸襟,对自然界的本性和人与自然之间关系的认识。
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| 关 键 词： | 山意象 毛泽东诗词 传统艺术精神 突破 |
| 文章编号： | 1003-0964（2006）03-0098-04 |
| 收稿时间： | 02 15 2006 12:00AM |
| 修稿时间： | 2006-02-15 |
The Analysis of the Breakthrough in the Traditional Spirit of the Art in the Poe ms of MAO Ze-dong through the Image of Mountain |
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| XU Bo-hong.The Analysis of the Breakthrough in the Traditional Spirit of the Art in the Poe ms of MAO Ze-dong through the Image of Mountain[J].Journal of Xinyang Teachers College(Philosophy and Social Sciences Edition),2006,26(3):98-101. |
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| Authors: | XU Bo-hong |
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| Institution: | Department of Chinese Language and Literature, Xinyang Normal University,Xinyang 464000, China |
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| Abstract: | The mountain is one of the most important constant images in the classical poems of China.In the classical poems,it is confined by the traditional spirit of the art,so it appears to be "silent" as its essence.MAO Ze-dong has broken through this limitation of traditional spirit of the art in his creating of poems.The image of mountain that he wrote is not only full of "moving" such as gallop and leap,but also showing the principal part spirit of human beings.This breakthrough depends on his broad-minded and his understanding about the natural nature and the relationship between nature and human beings. |
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| Keywords: | the image of mountain the poems of MAO Ze-dong the traditional spirit of the art breakthrough |
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