| 两汉魏晋南北朝宫廷绘画考略 |
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| 引用本文： | 顾平.两汉魏晋南北朝宫廷绘画考略[J].南通师范学院学报,2011(1):92-97. |
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| 作者姓名： | 顾平 |
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| 作者单位： | 南京信息工程大学传媒与艺术学院,江苏南京220044 |
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| 摘 要： | 两汉魏晋南北朝的画家大多散落于类似国家图书馆的秘阁之中;其主要职责是满足当时的政治统治需要,起有道德上的教化作用、政治上的表彰宣传作用、政治信息的传达作用;其艺术风格表现为写实性画风。两汉魏晋南北朝宫廷画家的地位呈现从高到低的倾向。通过对汉室以来至魏晋南北朝宫廷绘画的考察,可知隋唐时期延续了这种画家散落于各国家机构的特点,直至五代时期的画院出现,才有力地改变了这一局面,从此中国宫廷绘画的历史得以改写。
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| 关 键 词： | 两汉 魏晋南北朝 宫廷绘画 画家 |
Probation into Court Paintings in the Han,Wei, Jin and the Southern and Northern Dynasties |
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| GU Ping.Probation into Court Paintings in the Han,Wei, Jin and the Southern and Northern Dynasties[J].Journal of Nantong Teachers College(Social Science Edition),2011(1):92-97. |
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| Authors: | GU Ping |
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| Institution: | GU Ping (Media and Art College, Nanjing University of Information Sciences and Technology, Nanjing 220044, China) |
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| Abstract: | Court painters in the Han, Wei, Jin and the Southern and Northern Dynasties generally were hidden in secret places like The National Library, and their main duties were to cater to the political governess of then society, and implemented functions in moral education, political honoring, and the communication of political messages. Painters in those times tended to vary from Han to the Southern and Northern Dynasties. Through a thorough probation, we find that painters in both the Sui and the Tang Dynasties inherited the features of their precedent counterparts until the arising of painting academy in times of the Five Dynasties. |
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| Keywords: | the Han Dynasty the Wei Jin and the Southern and Northern Dynasties court paintings painters |
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