| 从《死者的奢华》看大江健三郎对存在主义的接受和超越 |
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| 引用本文： | 兰立亮.从《死者的奢华》看大江健三郎对存在主义的接受和超越[J].安阳师范学院学报,2005(1):96-99. |
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| 作者姓名： | 兰立亮 |
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| 作者单位： | 河南大学,外语学院,河南,开封,475001 |
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| 摘 要： | 一般认为,大江健三郎的早期作品<死者的奢华>反映了战后日本青年虚无的一面,是地地道道的萨特存在主义风格的小说.但事实上,从<死者的奢华>开始,大江健三郎的小说已经流露出与萨特存在主义异质的东西.存在主义与战后民主主义的二律背反性,使这篇作品具有了很强的张力,从而使他超越了对萨特的简单模仿,开始了自己的文学之路.
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| 关 键 词： | 大江健三郎 存在主义 民主主义 二律背反 |
| 文章编号： | 1671-5330(2005)01-0096-04 |
| 修稿时间： | 2004年11月8日 |
On Oekenzaburo's Imitating and Surpassing the Existentialism in "The Sumptuosity of the Dead" |
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| LAN Li-liang.On Oekenzaburo's Imitating and Surpassing the Existentialism in "The Sumptuosity of the Dead"[J].Journal of Aayang Teachers College,2005(1):96-99. |
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| Authors: | LAN Li-liang |
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| Abstract: | General speaking, the Oekenzaburo's early novel"the Sumptuosity of the Dead" reflects the nothingness of Japanese youngsters postwar which has really the Sartre's style of Existentialism. But actually, from the beginning , the novel already shows the differences from the Sartre's Existentialism. The antinomy between the Existentialism and the postwar Democracy in the novel makes it have a strong tension. Therefore Oekenzaburo surpassed the simple imitating from Sartre, and began his own way of literature. |
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| Keywords: | Oekenzaburo existentialism democracy antinomy |
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