| 《聊斋志异》:男权意识的退却与持守 |
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| 引用本文： | 陈彦廷,李雪芳.《聊斋志异》:男权意识的退却与持守[J].台州学院学报,2005,27(2):28-31,36. |
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| 作者姓名： | 陈彦廷 李雪芳 |
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| 作者单位： | 1. 台州学院,人文与社会学院,浙江,临海,317000
2. 中共台州市椒江区委组织部,浙江,台州,318000 |
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| 摘 要： | 蒲松龄在《聊斋志异》中所展示的男性立场,既是自由意志与诗性灵魂的张扬外显;又是男性中心主义及强权意识的执着内敛。花妖狐魅的招摇过市固然艳惊俗世,但却无法从根本上摆脱对父系纲常的委顺与归依。男权意识的退却与持守,是《聊斋志异》中始终无法完全消弭的一对矛盾,但这却使小说所塑造的“丑女”、“愚男”等一系列两性形象,独具一种深刻隽永的文化象征意味。
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| 关 键 词： | 《聊斋志异》 男权意识 退却 持守 文化心态 |
| 文章编号： | 1672-3708-(2005)02-0028-05 |
Strange Tales of a Lonely Studio: Withdrawal and Cautiousness of the Male -centered Consciousness |
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| Chen Yanting,Li Xuefang.Strange Tales of a Lonely Studio: Withdrawal and Cautiousness of the Male -centered Consciousness[J].Journal of Taizhou University,2005,27(2):28-31,36. |
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| Authors: | Chen Yanting Li Xuefang |
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| Institution: | Chen Yanting~1 Li Xuefang~2 |
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| Abstract: | The male position in Strange Tales of a Lonely Studio by Pu Songling is not only the publicizing of liberty and soul but also the cautious persistence in the might and male-centered consciousness. Though charming women's blatantly seeking publicity is conspicuous, their appearance still can't break away from the obedience to the males. The withdrawal and cautiousness in Strange Tales of a Lonely Studio is an everlasting contradiction, which helps to portray the image of "ugly women" and "foolish men" with a profound and cultural symbolic meaning. |
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| Keywords: | male-centered consciousness withdrawal cautiousness cultural attitude |
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