| Oratorio 与 Cantata 的流变 |
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| 引用本文： | 颜家佳.Oratorio 与 Cantata 的流变[J].贵阳学院学报(社会科学版),2004(1). |
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| 作者姓名： | 颜家佳 |
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| 作者单位： | 贵阳师范高等专科学校,贵州,贵阳,550008 |
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| 摘 要： | Oratorio与Cantata ,不便作出十分确切的中文意译 ,但却可以通过其流变来进行描述。这一流变 ,经历了由宗教向世俗、复调向主调、室内乐性质向交响乐性质的三大转向。Oratorio与Cantata从产生到巴洛克时期的结束 ,是一个阶段的流变过程。由宗教向世俗的转向 ,是这一阶段的主要特征。
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| 关 键 词： | Oratrio Cantata 流变 转向 巴洛克 |
The Changing Movement of Oratorio and Cantata |
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| YAN Jia-jia.The Changing Movement of Oratorio and Cantata[J].Journal of Guiyang College:Social Sciences,2004(1). |
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| Authors: | YAN Jia-jia |
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| Abstract: | It is not easy to translate 'Oratorio' and 'Cantata' into proper Chinese, but the meaning can be described in terms of changing movement. Such changes have seen three big turning directions: from religion to secularism, from polyphony to homophony, from chamber music to symphony. From the emergency of 'Oratorio' and 'Cantata' to the end of Baroque times is one such stage of changing movement, which is characterized by the transformation from religion to secularism. |
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| Keywords: | Oratorio Cantata changing movement turning direction Baroque |
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