| 动画短篇《父与女》中的音画剪辑分析 |
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| 引用本文： | 李振华.动画短篇《父与女》中的音画剪辑分析[J].通化师范学院学报,2011,32(9):63-64. |
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| 作者姓名： | 李振华 |
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| 作者单位： | 洛阳理工学院艺术系,河南洛阳,471003 |
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| 摘 要： | 动画电影的冲击力与视觉形式和声音剪辑有着很密切的联系,有效地利用镜头中的构成形式美,结合背景音乐节奏和旋律的剪辑,来创造有意味的视觉形式。在《父与女》的短篇表现中,通篇运用近似于水墨淡彩的剪影进行形体表现,加强对比,使画面主体物形象鲜明,简单的剪影造型和水墨淡彩的画面成为父女感情表现的载体,完成角色表现和场景绘制,叙事空间关系上剪辑得纯净而直接,与背景音乐相得益彰。
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| 关 键 词： | 动画电影 形式美 背景音 |
Music and Pictures Clip in Animated Short Father and Daughter |
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| LI Zhen-hua.Music and Pictures Clip in Animated Short Father and Daughter[J].Journal of Tonghua Teachers College,2011,32(9):63-64. |
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| Authors: | LI Zhen-hua |
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| Institution: | LI Zhen-hua(Department of Art,Luoyang Institute of Technology,Luoyang,Henan 471003,China) |
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| Abstract: | There are very close relationships between the impact of animated film and music and picture clip,in animated short Father and Daughter,the clip was pure and direct in the relationships of narrative space,complement with background music each other. |
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| Keywords: | animated film formal beauty background sound |
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