| 对祛魅理论的祛魅解读——布迪厄社会学诗学研究策略 |
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| 引用本文： | 朱国华.对祛魅理论的祛魅解读——布迪厄社会学诗学研究策略[J].西北师大学报,2007,44(3). |
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| 作者姓名： | 朱国华 |
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| 作者单位： | 华东师范大学中文系 上海200062 |
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| 摘 要： | 布迪厄的学术目标具有政治性,因此他对文学艺术的思考,围绕着反抗社会不平等的主题。他的社会学诗学包括两个方面:就社会学美学而言,指出文化隔充当着将社会阶级的区隔加以合法化的功能;就文学社会学而言,分析了文化生产场的发生和结构,并指出对于支配着文学生产场的根本信念即艺术自主性的坚持,乃是反对符号统治的重要手段。对于布迪厄社会学诗学对于中国学术语境的积极意义应予以一定讨论。
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| 关 键 词： | 布迪厄 社会学诗学 区隔 文化生产场 |
On the Research Strategy of Bourdieu's Sociological Poetics |
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| ZHU Guo-hua.On the Research Strategy of Bourdieu''''s Sociological Poetics[J].Journal of the Northwest Normal University(Social Sciences),2007,44(3). |
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| Authors: | ZHU Guo-hua |
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| Abstract: | This paper tries to propose a general understanding of Bourdieu's sociological poetics.It argues that Bourdieu's scholastic aim is so political that the subject of anti-social inequality always plays a key role in his thinking about art and literature.There are two aspects in his sociological poetics.In the view of sociological aesthetic,he points out that cultural distinction functions legitimatizing the distinction of social class.In the view of literary sociology,he analyzes the genesis and structure of field of cultural production,and concludes that the basic doxa dominating the field of literature production,that is,the persistence in autonomy of art,is a kind of important means against symbolic dominance.In the end,this paper discusses the great significance of Bourdieu's sociological poetics in Chinese accdemic context. |
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| Keywords: | Bourdieu sociological poetics distinction the field of cultural production |
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