| 茅盾与《文艺阵地》的编辑特色 |
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| 引用本文： | 张舸.茅盾与《文艺阵地》的编辑特色[J].河南师范大学学报(哲学社会科学版),2004,31(3):188-188,F003. |
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| 作者姓名： | 张舸 |
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| 作者单位： | 河南教育报刊社,河南,郑州,450004 |
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| 摘 要： | 茅盾于1938年4月16日创办了半月刊《文艺阵地》并主编了前18期。他的编辑工作使《文艺阵地》成为抗战时期普及最广、影响最深远的全国性文艺刊物之一。茅盾主编的《文艺阵地》体现了以下编辑特色：以文艺刊物为抗战服务、为民族的解放事业服务；把“编者”从幕后推出来与读者、作者沟通，提高刊物的亲和力；创办栏目体现人性化，增强刊物的亲和力和凝聚力。
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| 关 键 词： | 茅盾 《文艺阵地》 主编 编辑特色 |
| 文章编号： | 1000-2359(2004)03-0188-02 |
MAO Dun and Editorial Features of Literary Position |
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| ZHANG Ge.MAO Dun and Editorial Features of Literary Position[J].Journal of Henan Normal University(Philosophy and Social Sciences Edition),2004,31(3):188-188,F003. |
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| Authors: | ZHANG Ge |
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| Abstract: | MAO Dun launched the semimonthly Literary Position in 1938, and edited from the first 18 issues. His edition makes Literary Position one of the most household and far-reaching significant national literary periodicals. These issues edited by MAO Dun show the following editorial features: to entitle literary periodicals with the responsibility of serving for the War of Resistance and national emancipation course; to push editors to communicate with authors and readers and increase affinity of this journal; to make the subjects humane and bring this periodical more affinity and cohesive force. |
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| Keywords: | MAO Dun literary position editor editorial features |
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