| 中国漆画新论 |
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| 引用本文： | 朱益民.中国漆画新论[J].江西教育学院学报,2003,24(2):85-88. |
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| 作者姓名： | 朱益民 |
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| 作者单位： | 江西科技师范学院艺术设计学院,江西,南昌,330013 |
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| 摘 要： | 中国漆画创作体现了传统文化性和现代创新性的统一,漆艺传统的丰寓积淀和深厚内涵、别具建立审美意义的风格以及“以大观小、漆外求漆”的胸襟构成了漆画的传统文化性,而漆画的现代创新性应遵循两个基本准则,把绘画性与工艺性结合起来,注意艺术表现的丰富性和题材的广阔适应性,努力创构融造型艺术和文化内涵于一炉的意境美。
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| 关 键 词： | 中国 漆画创作 传统文化性 绘画性 工艺性 造型艺术 题材 绘画艺术 艺术表现 装饰画 |
| 文章编号： | 1005-3638(2003)02-0085-04 |
| 修稿时间： | 2002年10月8日 |
New Comment on Paint Drawings in China |
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| ZHU Yi-min.New Comment on Paint Drawings in China[J].Journal of Jiangxi Institute of Education,2003,24(2):85-88. |
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| Authors: | ZHU Yi-min |
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| Abstract: | The paint drawings in Chi na embody the combination of traditional culture and modern creation.The former shows itself in the plentiful formation and deep content,unique aethetic style a nd the mind of "Looking into the minutes from greatness,seeking implied meaning outside of paint ".Modern creative of the paint drawings should follow two bas ic principles,combine the drawing and the arts and crafts,and pay attention to t he abundance in artific form and vast adapatibity of topic in order to create th e mood of literary works with the modelling art melted into the culture connatio n. |
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| Keywords: | paint drawing traditio nal culture modern creative |
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