| 论易安词中的叠字(句、韵)艺术 |
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| 引用本文： | 黄理红.论易安词中的叠字(句、韵)艺术[J].玉溪师范学院学报,2005,21(7):54-55. |
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| 作者姓名： | 黄理红 |
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| 作者单位： | 陕西师范大学文学院 陕西西安710062 |
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| 摘 要： | 叠韵始于《诗经》盛于六朝,唐平仄行而双叠始废。后宋文乐合一,双叠始复盛行。其于字拗体之变化,既协且叠,用之有当,复沓回环,馀意深厚。易安尤善用之。
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| 关 键 词： | 双声 叠韵 叠字 叠句 齿音 舌音 仄韵 |
| 文章编号： | 1009-9506(2005)07-0054-02 |
| 修稿时间： | 2005年3月6日 |
The Art of Reduplication in Li Yi'an's Ci |
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| HUANG Li-hong.The Art of Reduplication in Li Yi''''an''''s Ci[J].Journal of Yuxi Teachers' College,2005,21(7):54-55. |
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| Authors: | HUANG Li-hong |
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| Abstract: | Rhyming compound originated in The Book of Rhymes ( Shi King ) and fully developed in the Six Dynasties. It declined in the Tang Dynasty when the tonal patterns in classical Chinese poetry formed, and became prevailing in the Song Dynasty again. It has a great effect on Madam Li Yi'an who made a fully use of it in her writings. In this paper,the author tries to talk about the usage of it. |
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| Keywords: | alliterative compound rhyming compound reduplicated words reduplicated sentence dental sound blade-alveolar obique tones |
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