| 当代草书创作的审美取向 |
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| 引用本文： | 杨德鹏.当代草书创作的审美取向[J].韩山师范学院学报,2014(1):67-71. |
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| 作者姓名： | 杨德鹏 |
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| 作者单位： | 汕头大学,广东汕头515063 |
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| 摘 要： | 当代中国书法由实用性转向艺术性,由于人们审美需求品位的不断求变,各种书法赛事、展览的评审也倾向于追求展厅效应。因此,当代草书创作的审美取向,也表现为追求作品的整体视觉效果,即视觉冲击力,主要体现在抒发情性、我心写我草,重视形式、适度增强形式感,布局空间、章法强化对比度,心仪万象、态势生动多变等方面。
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| 关 键 词： | 当代草书 审美取向 视觉冲击力 |
The Aesthetic Orientation of Contemporary Cursive Script |
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| YANG De-peng.The Aesthetic Orientation of Contemporary Cursive Script[J].Journal of Hanshan Teachers College,2014(1):67-71. |
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| Authors: | YANG De-peng |
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| Institution: | YANG De-peng ( Shantou University ,Shantou, Guangdong,515063 ) |
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| Abstract: | People’s aesthetic orientation in contemporary calligraphy has turned from practicality to art-istry. As people’s aesthetic demand grade changes, various kinds of calligraphy competition and exhibition also tend to pursue the hall effect. So the aesthetic orientation of contemporary cursive writing pursues the overall vi-sual effect of the work （namely the visual impact）,mainly reflecting the expression of one’s emotion, attach-ing great importance to the form, moderately enhancing the sense of form, the layout space, the art of composi-tion to strengthen contrast, vivid and changeable posture, etc. |
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