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从《三国志平话》看罗贯中与《三国志通俗演义》的关系
引用本文:张志和.从《三国志平话》看罗贯中与《三国志通俗演义》的关系[J].许昌学院学报,2001,20(1):46-49.
作者姓名:张志和
作者单位:国家行政学院,北京,100089
摘    要:<三国志平话>是说书艺人讲说三国故事的底本,它在罗贯中生活的那个时代出版,因此,罗贯中如果创作<三国演义>应当借鉴此书.但从<平话>的内容看,三国故事在元末明初还不够成熟,罗贯中不能从中借鉴到什么东西.所以,他在当时还没有成熟的长篇小说和小说理论可资借鉴的情况下,没有条件因此也不可能创作出这样一部杰作来.<三国演义>应当是宋元至明中叶的说书艺人们世代累积不断创造出来的,并不是由某一个人创作而成.

关 键 词:《三国志平话》  罗贯中  《三国志通俗演义》
文章编号:1000-9949(2001)01-0046-04
修稿时间:2000年7月14日

The Relation between Luo Guanzhong and The Romance of the Three Kindoms as Viewed from Popular Stories of the Three Kingdoms
ZHANG Zhi-he.The Relation between Luo Guanzhong and The Romance of the Three Kindoms as Viewed from Popular Stories of the Three Kingdoms[J].Journal of Xuchang University,2001,20(1):46-49.
Authors:ZHANG Zhi-he
Abstract:Popular Stories of the Three Kingdoms,the master copy of storytelling artists for their telling the stories of the Three Kingdoms,was published in the times Luo Guanzhong lived.Therefore,if Luo Guanzhong created The Romance of the Three Kingdoms,he should have used it for reference.However,as viewed from the content of Popular Stories,the stories of the Three Kingdoms were not ripe enough in the late period of the Yuan Dynasty and the early period of the Ming Dynasty,Luo couldn't use it for reference yet.Consequently,without a ripe novel and novel theory,it was impossible for him to create such a masterpiece.The Romance of the Three Kingdoms should have been created by storytelling artists from the Song Dynasty and the Yuan Dynasty to the middle of the Ming Dynasty by means of accumulation of one generation after another instead of having been created by a certain person.
Keywords:Popular Stories of the Three Kingdoms  Luo Guanzhong  The Romance of the Three Kingdoms  
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