| “一代有一代之文学”观与戏曲身份认同 |
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| 引用本文： | 陈军.“一代有一代之文学”观与戏曲身份认同[J].云南师范大学学报(哲学社会科学版),2005,37(6):97-101. |
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| 作者姓名： | 陈军 |
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| 作者单位： | 扬州大学,文学院,江苏,扬州225002 |
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| 摘 要： | 戏曲理论对于“一代有一代之文学”命题的诠解主要有四种观点:倡新求变、殊流同源、天人交响以及命中定数。诠解行为本身是中国古代文艺社会学传统的延续与变革,更是戏曲自我身份认同危机的产物。诠解的先验目的性要求对文学与社会关系研究的进一步深入和完善。
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| 关 键 词： | 戏曲 身份认同 “一代有一代之文学” |
| 文章编号： | 1000-5110（2005）06-0097-05 |
| 收稿时间： | 2005-06-21 |
| 修稿时间： | 2005-06-21 |
The discussion on the traditional opera and "certain literature in each time" |
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| CHEN Jun.The discussion on the traditional opera and "certain literature in each time"[J].Journal of Yunnan Normal University(Philosophy and Social Sciences Edition),2005,37(6):97-101. |
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| Authors: | CHEN Jun |
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| Institution: | Yang Zhou University, Yang Zhou 225001, China |
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| Abstract: | There are four answers to "certain literature in each time" by traditional opera theories,such as going for the new and conversion,same source and different lines,action between man and society and non-named plan.The answer is not only the innovation of tradition of the study on literature and society,but also the production of crisis of opera's identity.Its aim before action demands deep and perfect study. |
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| Keywords: | traditional opera crisis of opera's identity certain literature in each time |
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