| 我国现代木版画黑白语言的解读与建构 |
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| 引用本文： | 陈菽现.我国现代木版画黑白语言的解读与建构[J].北京城市学院学报,2007(4):81-85. |
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| 作者姓名： | 陈菽现 |
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| 作者单位： | 温州大学美术与艺术设计学院,温州,325000 |
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| 摘 要： | “黑白“在我国美术世界中的重要地位有其历史的渊源。黑白木版画之所以具备丰富的艺术表现力,乃是缘于“黑白“的社会学与美学特性,同时也基于现代艺术心理学之科学依据。现代黑白木版画的创作是主体思维过程特征的一种反映,因此,必须在形象思维的基础上,充分发挥抽象思维的重要作用,使作品兼备观赏性的黑白形式美感和艺术性的黑白内美的特征,以利于我国现代黑白木版画语言的建构。
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| 关 键 词： | 黑白木版画 构图 装饰 抽象 艺术表现 |
| 文章编号： | 1673-4513(2007)-04-081-06 |
| 修稿时间： | 2007年6月20日 |
Interpreting and Structuring the Black and White Language of Modern Wood Engraving Art |
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| Chen Shuxian.Interpreting and Structuring the Black and White Language of Modern Wood Engraving Art[J].Haidian University Journal,2007(4):81-85. |
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| Authors: | Chen Shuxian |
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| Institution: | Chen Shuxian |
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| Abstract: | Black and white is important in Chinese art history. Black and white wood engraving paintings are very rich in artistic presentation, which originates from its social and aesthetic characteristics and is supported by scientific evidence from modern art psychology. The work of modern wood engraving paintings in black and white reflects a subject psychological process. It is therefore necessary to fully utilize the functions of abstract thinking, together with imagination, so that the work of arts has not only the aesthetic appearance of black and white and but also artistic features, which will benefit the structuring of modern Chinese wood engraving paintings. |
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| Keywords: | Black and white wood engraving painting structure decoration abstract artistic presentation |
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