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在传统与现代之间:论吴闿生《诗义会通》
引用本文:潘务正.在传统与现代之间:论吴闿生《诗义会通》[J].安庆师范学院学报(社会科学版),2019,38(3):6-13.
作者姓名:潘务正
作者单位:安徽师范大学中国诗学研究中心,安徽芜湖,241001
基金项目:安徽省高校人文社科重大项目
摘    要:吴闿生《诗义会通》完成于1927年。他肯定《诗序》中所谓的“古序”,而批判“续序”,以此反驳其时学界“废序”的呼声。吴氏以文义裁《诗》,针对顾颉刚等人重情理而反微言的言论,努力抉发其中的“微文”,尤推崇言外之意。他将桐城派文法运用于《诗》的分析中,并对能形成阳刚阴柔融合的文法颇为用心。在《诗经》的“经”字招牌被打破的年代,吴氏从文学层面研究《诗》,极为关注《诗》在古文史、赋史上的地位,赋予《诗》以新的价值。《诗义会通》是一部学术观点徘徊于传统与现代之间的著作。

关 键 词:桐城派  吴闿生  《诗义会通》  诗序  文法

Between Tradition and Modernity:A Study on the Shi Yi Hui Tong of Wu Kaisheng
PAN Wuzheng.Between Tradition and Modernity:A Study on the Shi Yi Hui Tong of Wu Kaisheng[J].Journal of Anqing Teachers College(Social Science Edition),2019,38(3):6-13.
Authors:PAN Wuzheng
Institution:(Chinese Poetry Research Center, Anhui Normal University,Wuhu, Anhui , 241000)
Abstract:Shi Yi Hui Tong, written by Wu Kaisheng, was completed in 1927.Wu approvedthe so-called“the ancient preface”in The Great Preface and criticized the“preface to the sequel”so as torefute the claim of“abolishing the preface of poetry”.Wu Kaisheng revised The Book of Songs based on the theory of prose.Wu Kaisheng opposedthe GuJiegang’s and other people’s ideas“attaching importance to feelings and objective factsbutagainst sublime words”and triedto find out the“sublime words”and advocated implications. He applied the literary strategy of Tongcheng school to his analysis of The book of Songs and paid particular attention to those particular grammars that combinedmasculinity and femininity.In the age when the classic status of The book of Songs was broken,Wu Kaisheng brought new value to it from the perspective of ancient prose history and poem history.It is not difficult to find that Shi Yi Hui Tongis a masterpiecewhich the academic point of view hovers between tradition and modernity.
Keywords:Wu Kaisheng  Shi Yi Hui Tong  poetic preface  the literary grammar
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