| 论陌生化与文学产生到接受的本源性关联 |
| |
| 引用本文： | 上官秋实.论陌生化与文学产生到接受的本源性关联[J].通化师范学院学报,2012,33(1):46-48,59. |
| |
| 作者姓名： | 上官秋实 |
| |
| 作者单位： | 华南师范大学文学院,广东广州,510006 |
| |
| 摘 要： | 俄国形式主义主张研究文学的内部规律,以是否具有文学性作为衡量文学作品的标准,并为此提出了陌生化理论,将陌生化视为解释文学性的关键。陌生化的实质在于求变,陌生化的目的在于使作品获得可感性,从这个意义上,俄国形式主义是接受美学的真正前驱。
|
| 关 键 词： | 俄国形式主义 文学性 陌生化 艺术接受 |
The Origin Relationships between Defamiliarization and Receptive Literature |
| |
| Institution: | SHANGGUAN Qiu-shi(School of Literature,South China Normal University,Guangzhou,Guangdong 510006,China) |
| |
| Abstract: | Russian formalists advocate studying the interior regularity of literature,hold that the literariness should be considered as the standard to measure a literary work.So Russian formalism puts forward a theory of defamiliarization and holds it as a key to explain the literariness.The essence of defamiliarization is innovation and seeking changes.The purpose of defamiliarization is to make the works to win the sensuous.In this sense,Russian formalism is a true pioneer of Receptive Aesthetics. |
| |
| Keywords: | Russian formalism literariness defamiliarization acceptance of art |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
|
